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APPLIEDERGONOMICS

Case study

Becovic

A raw 2,600 square foot shell on Howard Street, turned into a leasing hub and a community center at the same time.

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Two rooms that want opposite things, fitted into one storefront — and built by the same team that designed it.

LocationChicago, IL
Space TypeLeasing hub & community center
Square Footage2,600
ScopeDesign-build

The challenge

Becovic is a residential real estate company in Rogers Park. They had 2,600 square feet of raw commercial space on Howard Street and two jobs for it to do at once: a leasing hub where prospective residents sign, and a community center the neighborhood would actually use.

Those two rooms want opposite things. A leasing office wants privacy, focus and a place to sign a document. A community space wants to feel open and unbooked. Fitting both into one storefront was the whole problem.

Before: bare slab, exposed structure, unfinished walls.
Before: bare slab, exposed structure, unfinished walls.

Before and after

Applied Ergonomics took the space from this to this — construction and interiors both.

Before: the shell, looking toward the street windows.
Before: the shell, looking toward the street windows.
After: the same long room, working as two spaces at once.
After: the same long room, working as two spaces at once.

The solution

Rather than partition the floor, we zoned it. Bar-height community seating and soft lounge groups occupy the front, near the daylight and the street. Workstations run along one wall under a full-width aerial photograph. A glass-fronted conference room holds the one function that genuinely needs a door.

The structure was left exposed — deck, ductwork and conduit painted out — and the slab polished, so the room reads as generous rather than finished-over. Warmth comes back through brick, wood tops and rust-toned upholstery.

The front of the house: lounge, bar seating and daylight.
The front of the house: lounge, bar seating and daylight.
Community seating at bar height, next to the soft seating.
Community seating at bar height, next to the soft seating.
Lounge chairs against the custom acoustic panels.
Lounge chairs against the custom acoustic panels.

Acoustics as the graphic

A hard-surfaced room — concrete floor, exposed deck, glass — is a loud room. The blue panels are the acoustic treatment, and they are also the only large-scale graphic in the space.

Solving two problems with one element is usually the right move in a small footprint. Here it also meant the brand color arrived as architecture rather than as signage.

Upholstery detail, drawn from the same palette as the panels.
Upholstery detail, drawn from the same palette as the panels.

The kitchen and the mark

The kitchen anchors the community end: brick, dark stone, and the Becovic monogram backlit above the counter. It is the one place in the plan where the company signs its name, and it does so over the part of the space that belongs to the neighborhood rather than to the business.

The backlit monogram over the kitchen counter.
The backlit monogram over the kitchen counter.
Bar seating at the kitchen, brick behind.
Bar seating at the kitchen, brick behind.
A wood-topped community table under pendant lighting.
A wood-topped community table under pendant lighting.

The neighborhoods, 28 feet wide

The largest single element in the space is a 28′ × 5′ aerial photograph of the neighborhoods Becovic calls home. It was our idea. We commissioned the aerial shoot and had the print produced, and it runs the full length of the workstation wall.

It does the same job here that the plant and fleet photographs do for Builders Asphalt: rather than decorating the walls with something bought to fit, the company’s own subject becomes the artwork. For a residential real estate business whose entire value is local knowledge, a picture of the actual blocks they operate on says more than any abstract would.

It also solves a practical problem. A 28-foot wall in a room with exposed structure and polished concrete needs something at its own scale, and there is very little on the market at that size that is not either wallpaper or a compromise.

Commissioned, shot and printed for this wall.
Commissioned, shot and printed for this wall.

The work half

Workstations run along the far wall beneath the aerial, and continue past the conference room on a long panel run. They are screened just enough for focus without closing the room off — panels high enough to give each person a wall, low enough that the space still reads as one volume from the front door.

Orange and grey tiles alternate down the run, picking up the warm end of the palette that the blue panels sit against. Counter-height seating faces it across the aisle, so the same strip of floor works for heads-down work on one side and a quick conversation on the other.

The long panel run past the conference room, with counter seating opposite.
The long panel run past the conference room, with counter seating opposite.
Workstations alongside the glazed conference room.
Workstations alongside the glazed conference room.
Panel and task chair — a wall for each person, without a room.
Panel and task chair — a wall for each person, without a room.

The conference room is glazed on two sides for the same reason the panels are low: it reads as part of the space until someone shuts the door. Inside, a butcher-block top and dark seating against a blue panel.

The conference room from inside.
The conference room from inside.
A smaller meeting room off the main floor.
A smaller meeting room off the main floor.
Screened workstations under the aerial.
Screened workstations under the aerial.

Design and build

1531 W Howard at night.
1531 W Howard at night.

This was a full scope for us: construction and interiors together. Demolition and build-out through finishes, then furniture, lighting, signage and installation — one team, one point of accountability.

It is also the one project in our portfolio where we own the complete before-and-after record, from the empty shell through the finished room. That is why it is here.

Location: 1531 W Howard Street, Chicago

Scope: design-build — construction, interior design, furniture, art and signage

Manufacturer and trade credits to be confirmed before publication.

The full length of the room: aerial, community island, workstations beyond.
The full length of the room: aerial, community island, workstations beyond.
The lounge group from above.
The lounge group from above.
Circulation through to the rear of the space.
Circulation through to the rear of the space.
Get in touch

We’re here to help.

What happens next

We read every inquiry and follow up personally to help move your project forward.

Not sure exactly what you need? Tell us the space and the teams who’ll use it, and we’ll bring the options to you. Specifying is what we do.

Prefer to talk it through? Call 847-679-5148.

Phone: 847-679-5148   Email: info@appliedergonomics.com

Frequently asked

Questions, answered.

What types of projects does Applied Ergonomics handle?
Projects of all sizes, from individual home offices to multi-site corporate rollouts. Our expertise spans workplace, healthcare, education, hospitality, and more.
How long does a typical project take?
It varies with scope. A small office might take 2–4 weeks; large corporate projects can run several months. We give you a detailed timeline at the first consultation.
Do you work with specific furniture brands?
We're brand-independent — we recommend on performance, durability, and value, not manufacturer relationships. That independence means you get the right solution, not the required one.
What geographic areas do you serve?
We work with clients nationwide and coordinate installations across the country.
Can you help with ergonomic assessments?
Absolutely — it's at the core of what we do. We study how your team works and design spaces that reduce fatigue, prevent injury, and lift productivity.
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